I drove out to Glendale to put trio new truck drivers on a brewery company bond, and thence I remembered this renewal over in Hollywoodland.
Last line
The moon.
stovepipe line
What I was doing was peeping over that edge, and all the time I was nerve-racking to pull away from it, there was something in me that kept inch a little closer, trying to get a erupt look.
Random thoughts
I am easily influenced. My idea of Las Vegas is basically CSI. California? Noir all the way. Men in fedoras. Women not unconstipated women, nevertheless dames built for sin. Lots of gin and whiskey. Sure, its sunny, but the light comes down through a dark filter. I read this for book nine (first rule of book club is you dont talk about book club) merriment in a day. Maybe an hour. Short, concise, elegant prose. The pacing is incredible. deed begins on what, page 14? Poor Nirdlinger was dead onwards I blinked, tossed away the likes of crusts at breakfast.
What I like best about noir is the inevitable discussions concerning gender politics. A fruit of the times? A literary device to raise a mere character into an archetype? A reaction against a changing worldview?
I tend to thing a present moment of a, b and c. Each of the characters is extreme. inhale the amoral insurance agent who sees his lot; Lola, the innocent; Phyllis, who kills not just her husband, but anyone who gets in her way. And Keyes, the nerd mastermind who administers punishment and re-establishes the moral order. Its clear Keyes could cast done the same, many times over his career. But he was strong where Huff was weak. Or perhaps confident where Huff needed to prove something?
My only quibble? The name Phyllis Nirdlinger as the femme fatale, the embodiment of death, sex and desire. Phyllis. Nirdlinger.If you want to get a copious essay, order it on our website: Orderessay
If you want to get a full essay, wisit our page: write my essay .
No comments:
Post a Comment