King Lear is a bring in which the definition of the face the punishment does not fit the crime comes out in all its essence.
In the play, the only way the gods are invoked is by the characters. The characters do summon the gods and at times they do claim to them; however there is no evidence that these gods do exist and that they are responding to the characters invocations.
Lear praises nature which he feels that is his goddess. He prays for Gonerils asepsis or if she had a child, that it might live to return the turn away and contempt upon her which she had shown to him. Apart from this, he also makes invocations for the wind to add-on during the storm scenes: Blow winds, and crack your cheeks! Rage! Blow! Although the play is set in a pagan setting, Lear prays to the gods to expose criminals and later on throughout the play, for the wellbeing of Cordelia and it is through these cries of help that we can vizor that no matter how much the king prayed for righteous justice to be served that his prayers remained unanswered.
Proof of this is how he calls his daughters pernicious in effect trio movie i and in Act III scene iii; also called The Mock Trial Scene, where Lear states: I here take my oath before this honorable assembly, she [meaning Goneril] kicked the poor King her father. It is ironic how Lear thought that he was almighty in the first Act whereas now he is do an oath in the name of the gods that what he is stating is true and this shows the endurance he has towards the previous life he led.
Meanwhile the gods evil is also present in Gloucesters subplot. Gloucester has always been a great believer of the gods and in the first act, when he reads Edmunds forged letter he demonstrates this these late eclipses in the insolate and moon pretend no good to us… Gloucesters belief was ridiculed by Edmund in the same scene...If you want to produce a full essay, order it on our website: Orderessay
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