Two of the Same Person

Sylvia Plath?s, The buzzer Jar, and Henrik Ibsen?s, A bird?s hearthstone, portray central women who try to live their lives within their respective time periods of the 1950?s and the 1870?s. Esther Greenwood and Nora Helmer both use their bodies and their sex activity to their advant long time. Esther is depicted as an main(a) cleaning womanhood, insofar breaks downwardly as she reaches the age of 20. Nora is a rattling leechlike woman, in time disc e verywheres herself and her own independence. In the end, both women front to constitute both a unfinished yet better(p) futurity. The classifiable women of the fifties and the 1870s did non use their knowledgeable govern of battle for anything. Those women were often looked down upon. Esther, however, utilise her sexual activity as a form of re doorbell shapeion. Esther largely represents a woman very ahead of her time. She refuses to be a typical 50?s woman who settles down, loses each inhalation, and be go ons a ?slave? to her husband. Esther says, ?I never cerebration for single minute that comrade Willard would halt an affair with any angiotensin converting enzyme? ?Well, yes, I have,? sidekick utter finally??I almost brute(a) over? (Plath 69-70). She feels betrayed and detest by Buddy, so she plays with her virginity to overhear avenge on Buddy Willard. Esther also toys with her virginity in order to rivalry the stereotype of women saving(a) themselves for marriage. When she finally loses her virginity, she does non feel a spectacular change, yet she make outs her retaliate on Buddy and the world. Nora has antithetic motives, yet uses her body and sexuality to thread her way nonetheless. Nora knows she is mesmerizing and she knows that she has great pull over Torvald. When he asks her what she wants for Christmas, she flirts with him by execute with his coat unlesstons and up to nowtually gets him to portray her the money she wanted. She embraces her sexual appeal and uses it to her advantage. Nora says, ?(looks at him for a moment). For abash! (Hits him lightly on the mandrel heel with the stockings.) That?s to penalize you. (Folds them up again.)?Not a unmarried thing more, for organism so naughty? (Ibsen46). In order to get Dr. run to speak to Torvald on Krogstad?s behalf, she flirts with Dr. Rank. She is to the near aware what her sexual allure bottomland get her. Esther, wayward to the stereotype, is an extremely unconditional woman. She refuses to marry, due to the fear of her spill of ambition and her refusal to conform. Esther does not depose on anyone, and feels that she would be tripping if she does. Esther does not even rely on her own get under ones skin when she admits, ? She said she was sure the doctors intellection she had done something wrong because they asked her a mess hall of questions ab step up my wad training, and I had been perfectly adept at a very early age and bestower her no trouble any(prenominal)?I hate her? (Plath 202-203). unconstipated with this independence, she travel into a arrested development and essentially loses her self. This raises the question, is that because she wasn?t hooked on anyone? One would confound so, but Esther eventually finds herself at once again. Nora, throughout the play, represents a typical 1870s woman who is extremely strung-out on her husba and has a family.

She, of course, has her differentiating qualities, but she is a general 1870s woman. Torvald is the ascendent of her everything. Her clothes, jewelry, and feed all put on from the money that Torvald makes. She is incapable of work and bread and butter herself because that is what she had liberal up believing. Torvald says, ?Nora! The same tiny featherhead! Suppose, now that I borrowed cubic decimeter pounds today, and you spent it all in the Christmas week, and then on advanced Year?s evening a slate venomous on my head and killed me, and--? (Ibsen 6). This summarizes the broad(a) social expectation of the 1870s. The quintessential ?husband? treats the ? wife? as a madam and is to the full aware that the wife is zero without him. ?The husband?, of course, would not even shutter to think that the ?wife? would ever book or leave him. Consequently, Torvald is flabbergasted when Nora discovers her trustworthy self and walks out on Torvald. Esther, an independent rebel, crumbles under the pressures of conformity. Nora, a typical housewife, finds herself and her independence. On the other(a) hand, Esther ends up slowly purpose herself, yet realizes the bell shake can always come back down on her. Nora also finds herself, yet one must think virtually how a single woman in the 1870s can deliver for herself. A bleak yet bright future dimly shines on both Esther and Nora. BibliographyThe Bell Jar by Sylvia PlathA Dolls House by Henrik Ibsen If you want to get a full essay, order it on our website: Orderessay

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