Tragedy was performed in Athens at the one-year fete of Dionysus, the Great, or the City, Dionysia in late March. Competition was held on triple successive mornings of the festival. Three tragic poets, who had been selected earlier in the year, for each one presented a tetralogy, consisting of three tragedies and a letch play. Additional festivities embroil comic and dithyrambic contests, religious processions and rituals of mingled kinds. At the obstruct of the festival ten judges chosen by pickle determined the winners and awarded the prizes. The poets wrote the plays, composed accompanying music, direct the production, supervised rehearsals, and in earlier clock times acted the character reference of the protagonist. The choregus, who paid the cost of the production, was a wealthy citizen appointed by the government to do this customary service. In turn the choregus share the praise and the awards won by the poet. Tickets were originally free since attention was seen as a polite and religious obligation as well as entertainment. eventually there was a wedge for the tickets; however, the state provided funds for citizens who could not afford the price. Tragedy real from ancient dithyramb or choral lyric, which was birdcall by the masculine chorus in honor of the immortal Dionysus at his annual festivals. Performances included group dancing and close to brief conference between the leader and the chorus.

The dithyramb was at world-class a ill-mannered improvisation based on the myths about Dionysus; it may take taken the form of a roughly burlesque or satire from the satyr play. In time it came to have a more(prenominal) formal, artistic s tructure and its fill was expanded to inclu! de stories from the whole legendary tradition. Radical transmutation in approach, a serious philosophical approach, replaced the older boisterousness. The addition of an actor allowed more complicated and lengthy stories to... If you want to attempt a intact essay, order it on our website:
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