Thematic Similarities of Two Books

Instead, O'Brien is characteristic of many another(prenominal) progeny males of his era who were uncertain at best and terrorized at whisk over the prospect of serving in the Vietnam War. O'Brien knew his options were arrest and unrestricted humiliation or fleeing to Canada to avoid the contend. Knowing either conclusion will limit his opportunities and dog him the rest of his life, O'Brien writes, "All just about me the options seemed to be narrowing, as if I were hurtling down a Brobdingnagian black funnel, the whole world squeezing in close" (43).

During the 1960s, between the war in Vietnam, the threat of the Soviet Union, and civilian unrest over a number of issues domestically, the U.S. seemed to be a society that was squeezing in on itself and its citizens. Because of the ideas and views in his intermission-advocating, enormously popular practice of medicine, John Lennon was such a threat to the pro-Vietnam Nixon authorities that Nixon fought to have him deported from the country. Unlike today, rock was perceived as universe much more of a threat to the status quo as a revolutionary force in the 1960s and 1970s. As hotdog writes, "?it was not so clear in the slowly sixties that rock was compatible with the status quo. Rock was the euphony of young people who hostile injustice and oppression" (3). wrinkle this view with the playing of Lennon's Come in concert at the republican National Convention in 2000, when Dick Cheney made his focusing to the podium.

Like O'Brien's illusions of war as anything remotely heroic or honorable in the humanity of combat, Lennon's own views were radically altered. While he had little occupation taking advantage of his fame to act as a example for the radical left in favor of love and peace over materialism and military conflict, he eventually bemused any illusions about the trappings of fame and celebrity as well. twain O'Brien's and Lennon's idealism was directly proportional to their distance away from the problem. erst they both became intimate with the problem, war in the former movement and politics and fame in the latter case, they both became disillusioned.

As Wiener writes of Lennon's eventual purposeful deconstruction of celebrity in improver to war as patriotism:

John Lennon's own views on politics could be quite innocent as the expectations of many young men pressed into service in Vietnam. Lennon's views were as utopian as his utopian anthem Imagine. Strongly opposed to strength, Lennon not only urged American leaders to end the war in Vietnam, but he also wrote songs inspired by protests about issues which he supported but which included violence as a form of protest. His song, Revolution, was a protest against the scholar uprisings in Paris in 1968, a protest during which students resorted to violence. Lennon was initially terrified of the enormous influence he had over others as one "voice." He eventually evolved into the role and would use his music for active protests, such as when he changed the lyrics to Come Together to Come together-stop the war-right now! at Madison Square tend during a presidential election year in 1972. By 1972, Lennon seemed convinced that with his support, Nixon's war policies would crumble. As Wiener writes, "Rock could get down a real semipolitical force, however, when it was affiliationed to real political organizing. The 1972 anti-Nixon tour John Lennon planned with Jerry Rubin and Rennie Davis was intended to forge that link" (5).

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